Monday, November 16, 2015

Writing & Overwhelm: Finding Time to Write. A Recap of the November 2015 Westside Writers Mingle

by Westside Mingler Rebecca Light

This month at the Westside Lit Mingle, we took on the topic of Writing and Overwhelm. Lori and Laurie framed the discussion from this jump-off point:

We live in a culture of busy and overwhelm, with constant demands on our attention. Within this, how do we find space—both in our calendars and in our psyches—to create?

To start, Lori led the group in a fabulous activity that she learned from Laurie Halse Anderson at an SCBWI workshop: first, write down the five things you care most about in your life. Subsequently, write down the five things that took up most of your time the pervious week. Then compare. This was illuminating!

This exercise is meant to inform, not punish. The simple act of articulating how we spend our time, and what we care about, can help overwhelm drop away. Is there anything that can fall away from how you spend your time to make more room for things you care most about? There were some obvious suggestions, such as cutting back on TV. Laurie Halse Anderson had suggested an interesting idea: stop volunteering. Maybe it’s okay to let someone else save the world in that way so you have time to write your book!

The ensuing discussion was a combination of helpful tips and shared struggles, making two things very clear: First, we are all in this together! And next,  in working with overwhelm, there is no golden ticket. For example, writing every day made some minglers feel more overwhelmed, while the same committment helped others prioritize writing in their busy schedules.

Lori spoke about the issue of overwhelm as a large one in our culture right now, and not one unique to writers. The word “busy” has become a form of currency, a shorthand to let the world know that we are important.  As a culture, we scoff at leisure time. Perhaps changing the way we speak about it (for example, not using the word “busy”) can help change the feeling of overwhelm.

On the subject of accountability, Laurie shared an anecdote about a writer who would create consequences for missing a deadline. This particular writer was a democrat so she decided that she would donate to Mitt Romney’s campaign for every deadline missed. Accountability indeed!

Alternatively, Greg shared the value of forgiving himself when he isn’t able to write. He prefers to focus on the end goal of getting the task done, rather than on creating a consequence for missing a deadline, which only contribute to his feeling overwhelmed.

Toward the end of the meeting the group touched on the importance of not just writing, but living. This includes how to find time for your loved ones while balancing a day job, a long commute, and a solitary writing habit? Minglers had some great suggestions, such as being creative about places to edit and brainstorm (Standing in line? Jot some notes on your phone!) Or get to work 10 minutes early and use that time to write. Try dedicating two nights a week to writing, the other nights go to your family. Or split the night into an hour or two of writing time, and the rest for family.  Most of all, be gentle with yourself. Know that there is a time to write, and there is a time not to write.

Here are links to the books, websites, and resources that minglers suggested during the discussion.

750words.com – Inspired by the morning pages in The Artist’s Way, this website is a writer’s tool to nurture the habit of writing every single day.


Blog – Zen Habits by Leo Babauta. This link includes the Stress Assess activity which Laurie handed out in the Mingle.


Book – Tweak It by Cali Williams Yost

Tuesday, October 27, 2015

Getting Paid for your Craft: Can You Make a Living as a Writer? A Recap of the Oct 2015 Westside Writers Mingle.


When Laurie and I met after doing our initial research for this topic, our moods were pretty different. I came in excited about all the odd ideas I had found, and she came in finding the results pretty depressing.

The difference? She Googled, “Can you make a living as an author,” while I Googled, “Strange/fun/unusual ways to make a living as a writer.” And, unsurprisingly, the results were widely different. If you are someone who wants to write for a living, and you don’t care so much what kind of writing you do, there are perhaps more options out there than you might have realized. Consider starting a business where you write:

• wedding vows
• obituaries
• online dating profiles
• query letters and synopses for other writers

Or consider pairing a talent/skill/ability you already have with writing. For example, I also used to teach English and I still currently teach yoga. Now I have a freelance editing business where I edit yoga-related writing (for teachers and studios) and I also lead writing and yoga retreats.

If you want to focus your writing on books, the finances can be a little daunting. The coveted six-figure advance, once broken down into agent percentage, taxes, and how much you actually get and when, doesn’t translate into a living wage. But don’t forget that being published opens doors for revenue that might not have been there before: school visits, panels, classes, etc. And there are also sub rights, which include foreign and audio book rights, each sale of which brings more income.

Here are a few of the links we found most helpful.

On the realities of what you get paid as an author (Laurie Y.’s links):






On some possible other ways to make money as a writer (Lori S.’s links):





You can probably see why Laurie Y was depressed and Lori S was excited!

Oh, and as an aside, this is about how book sales rise when you add an image to your social media:


If thinking about the financial side of writing leaves you drained or overwhelmed, then join us at the next Mingle for some inspiration!

NEXT MINGLE: Writing and Overwhelm

Many of us feel stress and get overwhelmed 
not because we're taking on too much, 
but because we're taking on too little of what really strengthens us.” 
~ Marcus Buckingham

We live in a culture of busy and overwhelm, where how much we have on our to-do lists has become the new currency. Within this, how do we find space—both in our calendars and in our psyches—to create? And for a lot of us, as we approach the holidays, this becomes even more difficult. Bring your thoughts, frustrations, suggestions, and ideas. Will also include some simple mindfulness techniques from Lori and new ways to look at time and creativity. 
  

DATE: Wednesday, November 4
TIME: 7 pm – 8:45 pm
LOCATION: Ocean Park branch of the Santa Monica library.

If you feel so inclined, we would welcome any baked goods to share!

Can’t wait to see you all –

With love & books,

Lori & Laurie




Sunday, October 18, 2015

The Hollywood LitMingle Gets Legal

SCBWI member, Bonnie Berry LaMon, author and entertainment lawyer, sheds some light on an area most writers shy away from...the legal aspect of publishing.
The Topic:
"EVERY THING YOU NEED TO KNOW ABOUT GETTING PUBLISHED, WHETHER OR NOT YOU HAVE AN AGENT." 
It was so useful. Thank you, Bonnie!

Bonnie Berry La Mon, Esq.: Vice PresidentEvent Chairs Bonnie Berry Lamon, ESQ (l) and Areva Martin, ESQ (r ...
Bonnie's main point: be careful what you sign. Do not sign away your rights without knowing what you are doing. If you need a lawyer to interpret a contract, consult one. Your agent should not object. Bonnie provides a special service to writers and consultants on contracts.

It's wonderful if you have found representation with an agent, Congrats! But do your homework. Do not rely on an agent for the same knowledge as a lawyer. Though agents are helpful in brokering deals, they do not necessarily have the training to school you in the fine points of your contract.

Here are a few terms:

1) "STANDARD" -- is used to make you believe that a term can not be changed, but in fact it can be modified, negotiated or deleted.

2)  GRANT OF RIGHTS -- the list of rights that the author conveys to the publisher. Rights may be exclusive, non-exclusive, perpetual or for a designated period of time.

3) TERM -- the period of time that the writer gives the publisher for exclusive rights to the material. The maximum time period is the full length of copyright, which in the U.S. is the life of the author plus seventy years. After that, literary works go into the "public domain" and are the property of all, unless the estate of author extends the copyright and exerts ownership that way. (This may be an issue if you are wish to write a biography.)

4) TERRITORY -- the contract will specify which territories the book will be sold in. "Worldwide rights" means the publisher will control all territories and markets in the world. Typical contracts limit the territories to the U.S. and Canada. If the publisher does not specify any territory other than the U.S. and Canada, then an agent or author is free to make a separate deal with another publisher for another country, territory or language.

5) FORMAT -- can be print or ebooks, hardback or paperback. "Primary book publishing rights" is commonly defined as hardcover, trade paperback, mass market and direct mail, though electronic and audio books may be included. Often eBooks and audio rights are granted as subsidiary rights. The area of eBooks is in flux right now and needs special attention; make sure you are fairly compensated in the event of eBook publication.

6) SUBSIDIARY RIGHTS -- any rights in addition to the print and/or eBook publication: 
Foreign Rights Translation, Periodical Rights, Book Club, Electronic Audio and other New Media; Stage, Motion Picture, Video and Animation; TV, merchandising and commercial tie-ins. These can be licensed by your publisher to another party; proceeds are usually split with the author.

7) RESERVATION OF RIGHTS -- a provision that says all rights not expressly granted are reserved to the author. The language is useful for avoiding ambiguity in a contract, especially as new technologies emerge.

8) FILM AND VIDEO OPTIONS -- Important terms: option price, option period, any extended option period, approval rights of screenplay, credit, purchase price and back-end participation. There isn't space to define them all here. If your book is being optioned for film, I would definitely consult a lawyer! 

9) MULTI-MEDIA LICENSES -- ei. video games, websites, apps, hyperlinks. Video companies bear cost of developing the game, licensing the characters from the author and paying royalties. This is why it is important for authors to retain ownership of the rights of trademark. You have the right to the characters you create, unless you sign them away. So, be careful!

10) MERCHANDISING AGREEMENT -- important provisions include term, scope of license, sell-off periods, approvals and limitation on product, advances and royalty rates.
  
SOURCES FOR FURTHER INFORMATION:
1) The Author's Guild, Inc. "Model Trade Book Contract and Guide"
2) Tad Crawford's Business and Legal Forms for Authors and Self-Publishers
3) Entertainment Industry Contracts, Book Publishing, Vol. 1
4) Ivan Hoffman's "Children's Book Publishing: Some Issues" (www,ivanhoffman,com)
5) Mark Levine's Negotiating a Book Contract: A Guide For Authors, Agents and Lawyers.
6) SCBWI Sample Children's Book Contract (scbwi.org/rescources/documents/10-sampleChildrensBookContract)
7) Harold Underdown's "Contracts from Children's Book Publishers:What to Expect"

Wednesday, October 14, 2015

SCBWI Westside Illustrators (and Writers) Schmingle!

SCBWI Westside Illustrators (and Writers) Schmingle!


WHEN: Monday Evening, October 19, 2015
                        7:00pm to 9:00pm

WHERE: 445 15th Street, Santa Monica CA 90402
  

                  A two story Spanish-style private home. 
                 5 blocks north of Wilshire,  between Montana

                      and San Vicente.
                   FREE residential street parking !
                        

TOPICS:  1.   GOALSETTING!   Why are GOALS Important?
                         Did I reach 'My Summer Creative Goals?' 
                
                2.    REPORTS   from L.A. 'ILLUSTRATORS DAY' 
and O.C 'EDITORS DAY'

                3.     BRING 2015 BOOKS!..share SCHMALDECOTTpossiblities  
Join our very own Mock Caldecott and Mock Newbery contest                       

start here... https://www.goodreads.com/list/show/82343.2016_Mock_Caldecott
http://blogs.slj.com/afuse8production/2015/06/24/newbery-caldecott-2016-summer-prediction-edition/#_

                   4.   DOOR-PRIZE! ????

Bring
artwork in progress, portfolios, postcards,etc...!                   
Share and inspire us with your creativity!       
  

Continuing monthly topics:     
"Doodle a Day " continues! 
 
"Dream Big... Start Small! " with baby steps!
 

  Our mission.....
Let's enjoy a fun creative evening together
& move forward in our common pursuit
of making a contribution to the world of
children's illustration and literature!
   


RSVP preferred ...  SuzyBlock@gmail.com 
GOODIES? sure :)

See you soon.... Suzy8-)

SuZy engelman BloCK
SCBWI Coordinator
Westside Illustrators Schmooze

Monday, October 5, 2015

SCV Lit Mingle: October First Pages Workshop

SANTA CLARITA VALLEY - SCBWI LIT MINGLE
____________________________________

FIRST PAGES WORKSHOP

Bring the first page or two of your current WIP. We will divide into small groups for critiquing, feedback and...mingling!

When:  Thursday, October 8th
Time: 6:30pm to 8:00pm
Where:  Barnes & Noble, Valencia
___________________________________

** KID LIT RAFFLE!!!**

Come to October's Lit Mingle for a chance to win a pack of brand newly released kids' books!

1 Ticket - Just show up!
1 Ticket - Arrive on time!
1 Ticket - Bring a Friend!




Saturday, September 26, 2015

Recap: September 2015 Westside Writers Mingle - "Writing Tips, Ideas, and Advice."

The September Westside Schmooze was all about newness: new co-coordinators Laurie Young and myself (Lori Snyder), new name for our gathering (Mingles), new location (the Ocean Park branch of the Santa MonicaPublic Library), and a new date (first Wednesday of the month). Phew!

Our topic was “Writing Tips, Ideas, and Advice,” and we kicked it off with this great quote from E.L. Doctorow: “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”  From there, we opened it up to everyone to share their favorite tip or piece of advice, many of which came from this year’s summer SCBWI conference.

Some highlights (and, sadly, I didn’t write down which Mingler contributed these, so I apologize in advance for not giving credit where credit is due):

“Be specific.” ~ Kwame Alexander

“Know your sensibilities. Your books are bouillon cubes for your sensibility.” ~ Meg Wolitzer

“As editors, we’re not acquiring your pages. We’re acquiring the vision they represent.” ~ Jordon Brown

“If you read a draft and something jumps out at you three times, you have to do something about it.” ~ Adam Rex

“Be intentional about your time and treat writing like a real job.” ~ Varian Johnson

And a couple of links that were shared:

John Cleese on creativity (Molly Idle recommended): https://vimeo.com/89936101

Susan Dennard’s blog on revision (Jenny Bent recommended): http://susandennard.com/tag/soozs-guide-to-revisions/

We closed out the Mingle with a writing exercise. In case you’d like to play along at home, here it is:

Invent a situation in which a character is forced to change his or her name.

You have ten minutes…GO!

Our next meeting is Wednesday, October 7, from 7 pm – 8L45 pm, at the Ocean Park branch of the Santa Monica library. If you feel so inclined, we would welcome any baked goods to share!

October’s topic:

Getting Paid for your Craft: Can You Make a Living as a Writer?

“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well. It’s about getting up, getting well, and getting over. Getting happy, okay? Getting happy.” ~ Stephen King

Um, yes, Stephen. True. But maybe we could make some money at it, too? A frank and practical look at the different ways to make money as a writer, including brainstorming on how to branch out in ways you might not have thought about.

PLEASE NOTE!!! This is not a class or workshop where we tell you how to get rich from your writing. (For that, please Google “get rich off your writing” and see all the sure-fire ways this can happen. Look! I did it for you!) Rather, this is a round table discussion. We will be bringing in some interesting ideas on unusual avenues for writing revenue, thoughts on combining other loves and talents with writing to start up a new business, and also some facts about writing and money…but please bring in your ideas, questions, thoughts, comments, worries, etc. so we can all have a rousing good time.

Can’t wait to see you all –

With love & books,

Lori & Laurie